Charlie May (Spooky) interview & live set, plus Aeroplane & Friendly Fires DJ sets

February 25th, 2010 by driscollobos

charlie may

Charlie May has had a lasting influence on modern house and techno: As one half of Spooky, he helped pave the way for the current generation of techno performers with the acid house duo’s pioneering live sets in the early 90s; while as production partner to Sasha, he’s had a hand in some of modern electronic music’s most iconic moments.  As he prepares his live show for an appearance at matter on Saturday 6th March, we asked him to reflect on the balance between solo and collaborative production, how he approaches live performances and what he makes of the current wave of live electronic artists.

How would you say your solo work differs from your collaborations with Sasha and as one half of Spooky?  Do you use the solo project as an opportunity to explore different ideas?

Making records on your own is a much more introspective process, but it is where you consolidate all the gigs and collaborative work into something you hopefully believe in.  I really enjoy doing both as one tends to fuel the other, certainly I do a lot more exploration on my own…  I get lost down various rabbit holes which don’t necessarily always yield sonic goodies but it is definitely a much more meditative process working alone.

What’s your set-up for live performances and how do you approach live sets in terms of engaging the crowd in a way that differs from DJ sets?

I keep my set up minimal: It has to fit in an overhead bin on an aircraft.  I use a four deck system on Ableton with a midi controller and four separate stereo outputs so I can still mix the audio on the DJ mixer as I like the tone controls and effects on those.  The set differs mainly in the way that all the tracks are something I’ve been involved in or remixes of tracks I’ve done, or my own productions.  Some tunes are broken down into groups of sounds and I re-blend them and re-structure them live… I try and do something different every show so it doesn’t ever become a repetition.

In our recent interview with Sasha, he spoke of the close connection you have musically, especially in terms of melody.  How does your studio dynamic with Sasha work, and does it differ to when you work alongside Duncan Forbes on Spooky projects?

Sasha and I really enjoy a lot of the same music and also the way certain people approach their production, mixing  etc..  He has a really good ear for sonics and the subtle things in a club record that make all the difference.  I’ve learned alot from him about dynamics within a DJ set and he translates that to individual tunes too.  He needs to play the piano more and noodle about on his lap top too just writing ideas!  I bug him about that all the time.

Duncan is different – much more hands on especially in the programming department.  He can sit at the computer for hours without getting up.  I’ve already had heaps of tea and gone to the shop a couple of times before he even needs the bathroom – amazing concentration.

As Spooky, you were among a select group of pioneering live dance acts – what’s your take on how live dance music has progressed, especially with the increased popularity of Ableton?

It is definitely at a stage now where anyone can have a go – this is a good thing I think but it makes the business of getting attention tougher.  Coupled with the constantly shifting sands of the whole scene anyway it can be hard to keep up with it all.  I tend to just man my guns and do my own thing.  I know what I like to hear and I try and make that sound for myself.  With all the instant accessibility and disposablility of dance music now I think you have to keep it simple in your own head.  But it is very exciting to see a new trend for ‘live’ dance artists.  I think it is open season on what you can do in a club… as long as it rocks out of the speakers.

Your production work has influenced many of the current generation of producers – is there anyone at the moment whose current output inspires you also?

I like a lot of the older generation of electronic artists like Robert Henke, Massive Attack, Jeff Mills… DJs like Ricardo Villalobos and Luciano inspire me too.  I do think your taste mellows a bit over time though – I’m more likely to be listening to radio 3 than anything really, it’s a bit pipe and slippers once the techno is turned off!  There are many great new producers about though – I find electronic music more exciting now than ever before if I am honest.  The technology is so amazing now also.  It is tough at times for sure but still such an interesting field to work in.  Never before in history have musicians had such a vast sonic palette to work from.

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Charlie May performs live at matter on Saturday 6th March, when he’ll join headliner Sasha and further guests including Paul Woolford, DJ Three, Aeroplane and Friendly Fires.  Tickets are £15 advance.

CHARLIE MAY LIVE SET:

Charlie May (Live) by Charlie May

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6th March’s Room 2 line-up will feature balearic disco kings Aeroplane and a DJ set from BRITs-nominated indie-disco trio Friendly Fires. To sample some of their DJ talents, check out the latest Aeroplane mix below and this Friendly Fires mix currently hosted on Soundcloud


Aeroplane "Chart Mix" February 2010
 by 
Aeroplane (Official)

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SASHA A/V SHOW AT BIG DAY OUT TOUR, PERTH, 31ST JANUARY 2010

Dennis Ferrer joins Frankie Knuckles and The Shapeshifters at matter this weekend!

February 22nd, 2010 by driscollobos

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***ALAS, AFTER THE PUBLICATION OF THIS BLOG, DENNIS HAD TO CANCEL HIS APPEARANCE DUE TO INJURY. WE WISH HIM ALL THE BEST AND A SPEEDY RECOVERY, AND HOPE TO SEE HIM BACK IN THE UK SOON***

 

Saturday 27th February sees us welcome a truly heavyweight house line-up to matter: joining Nocturnal Groove’s The Shapeshifters will be a pair of geniune NYC house legends in Frankie Knuckles and Dennis Ferrer.

 

Ferrer returns to matter for his second appearance at the venue, having made his debut last April for Nic Fanciulli’s Saved sessions. Founder of NYC label Objektivity and mentor to teenage house sensations The Martinez Brothers, Ferrer has consistently made balancing mainstream success and underground credibility seem effortless. With a string of huge anthems to his name, including ‘Son of Raw’, ‘Sinfonia Della Notte’ and last year’s huge ‘Hey Hey’ (Beatport’s most charted track of 2009), he’s worked with the likes of Kerri Chandler, Masters At Work and Jerome Sydenham over the course of a twenty-year production career, in addition to being nominated for this year’s Grammy Awards for his remix of Dido’s ‘Don’t Believe In Love’. Widely regarded as one of the most technically-proficient producers around, you can find out more about his techniques in his recent interview with Resident Advisor:

“Look, if you’re a bad motherfucker, you’re a bad motherfucker…”

 

 

Joining Ferrer on the bill will be the man pretty much responsible for House music itself: it was during Frankie Knuckles‘ early days in Chicago that the genre took its name from the legendary Warehouse venue where he was resident: as disco evolved in the early 80s with the use of drum machines and synthesizers, it was the sets Knuckles and his fellow Warhouse DJs were playing that helped define the new strain of electronic dance music. Check out this Beatportal interview with Knuckles for the great man’s own take on the birth of house, plus this radio interview conducted with Noctunal hosts The Shapeshifters on their Galaxy FM show and their single collaboration last year, ‘The Ones You Love’:

 

 

Returning to matter themselves for the first time since their Room 2 takeover last February, The Shapeshifters will be on hand for a main room set of their own: the Anglo-Swedish duo became one of the world’s biggest dance acts in 2004 with their UK #1 hit Lola’s Theme and its follow-up ‘Back To Basics’ – through their Nocturnal Groove parties they’ve continued to be among the most in demand house acts around ever since.

 


Latest tracks by TheShapeshifters

 

In addition to that bumper bill, Defected star ATFC and Positiva’s Serbian up-and-comer Gramophonedzie will be putting in shifts to celebrate their new releases: With new album ‘ATFC In The House: London ‘10′ out now, enjoy ATFC interviews and mixes galore at his Defected micro-site; and find out a bit more about Gramophonedzie in this recent interview with The Sun, where he talks about his quiet lifestyle and the jazz influences that inform his massive upcoming single ‘Why Don’t You’, which is released on 28th February.

 

NOCTURNAL & DIRTY LONDON featuring The Shapeshifters, Frankie Knuckles, Dennis Ferrer, ATFC and Gramphonedzie
27th February 2010
Tickets £15 advance

Simian Mobile Disco’s Delicatessen opens for business

February 5th, 2010 by driscollobos

smd

One of the biggest and best UK dance acts to have emerged in the past decade, Simian Mobile Disco have been quick to join the pantheon of legendary British dance music duos alongside Paul & Phil Orbital, Tom & Ed Chemical, Simon & Felix Jaxx and Paul & Neil Leftfield.  On Saturday 20th February, Simon & Jas Simian will team up with NME and their Bugged Out! pals to present their Delicatessen to serve up a night of delicious musical treats headlined by the boys themselves with their first ever live performance at matter.

With just a couple of weeks to go until the dinner bells rings, Bugged Out! grabbed the guys to talk us through the tasty morsels on the night’s menu…

 

*Green Velvet*
‘Old school legend who is still making amazing stuff. His tracks have been staples in our DJ sets for ages now, very excited to hear him play. Cameras ready, prepare to flash!’

 

*Retro/Grade*
‘Italo aficionado Serge Santiago has teamed up with Tom Neville to make Retro/Grade. Expect classy souped-up disco vibes from this exclusive live set.’

 

*Joker*
‘Arguably the most exciting prospect in dubstep at the moment. A cutting-edge remixer, he turned in a huge mix of Cruel Intentions that has been blowing up clubs and radios all over the world.’

 

*DJ Pierre*
‘Acid pioneer DJ Pierre absolutely nailed a remix of Cruel Intentions for us. Watch him join the dots between acid old and new like no-one else.’

 

*Boy 8-Bit*
‘Last year’s stellar ‘Baltic Pine’ set Boy 8 bit apart from the pack. His DJ sets are simultaneously pastoral and mean: A real British talent.’

 

*Ralph Lawson*
‘2020 Vision is one of Britain’s finest techno labels and head honcho Ralph Lawson is sure to showcase some of his new gems from the likes of Bobby Peru and Spirit Catcher, along with his usual techno goodies.’

Ralph Lawson Jan 2010 mix by ralphlawson

 

*JoJo De Freq*
‘Britain’s first lady of techno. Her sets are always thunderous and uncompromising, as are her productions.’

 

And if all those aural delicacies haven’t quite left you fit to burst, indulge yourself in this UK-exclusive Simian Mobile Disco mini-mix for dessert:

Simian Mobile Disco – January 2010 mini-mix by matterlondon

The matter guide to DISCOTECA

January 27th, 2010 by driscollobos

HERCULES NOV 09 2

 

Disco, funk, boogie, italo, Balearic, proto-house, cosmic… whatever you want to call it, it’s been inescapable in the past couple of years: a strain of classic dancefloor groove that’s moved away from the cheesy nostalgia of ‘Carwash’ disco nights attended by your aunt, and provided the soundtracks to all manner of the coolest basement, warehouse, back-room and loft parties. Indebted to the new wave of disco-influenced acts emerging out of New York in the early 00s (DFA; !!!; The Juan Maclean; LCD Soundsystem) – and accelerated by blog culture’s constant unearthing of previously forgotten gems – the various strains of disco have led to a vibrant and exciting time in dance music culture. Named after ‘balli da discoteca’ – the original term for italo (the synth-based Italian strain of disco pioneered by Giorgio Moroder), DISCOTECA brings together a gargantuan disco line-up, all of whom share a love for disco and funk that’s helped make them what they are.

 

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While DFA Records is widely acknowledged as the key label of the early 00s re-emergence of disco onto the dancefloors, it was the emergence of Morgan Geist and Darshan Jesrani’s Metro Area that did as much as anyone to connect the dots between the Studio 54 heyday and modern house and techno DJs. With a love of everything from boogie-funk to italo to techno, the duo’s string of 12” releases on Geist’s own Environ imprint from 1999 to 2001 (eventually collected together on their first self-titled LP in 2002) took in the sparser, stripped-down sounds of techno and married it with the warmth and groove of classic house and disco.

 

METRO AREA ON YOUTUBE:

 

As the influence of Metro Area and the DFA stable of artists grew, a European reaction was stirring: In Germany, Munk were collaborating with LCD Soundsystem’s James Murphy on their debut album as they evolved an italo take on the DFA sound, while Murphy’s LCD bandmate Al Doyle and his band Hot Chip combined it with a soulful 80s electro-pop style on their second album The Warning – conquering the world’s dancefloors while they were at it. In a similar vein, Warp’s Berlin-based Brighton boy Jamie Lidell melded his Prince and funk influences with house and techno to create his own inimitable style, which casts him as Motown crooner, beatboxer and techno producer all at once in his celebrated live performances.

 

JAMIE LIDELL ON YOUTUBE:

 

The advent of Web 2.0 meant a generation of new DJs were being handed a whole artillery with which to arm themselves, with Bumrocks, Lovefingers and 20JazzFunkGreats being among the premier cratediggers, dusting off disco rarities and obscure italo records so you didn’t have to. This coincided with the rise of italo-influenced live acts such as the Chromatics, Glass Candy and Desire, all of whom are signed to New Jersey resident Mike Simonetti’s Italians Do It Better – from whom DISCOTECA attendees will be privileged to enjoy a showcase featuring live performances from Glass Candy and Desire as well as a DJ set from the label’s chief.

 

DOWNLOAD MIKE SIMONETTI ‘BACK TO AFRICA’ MIX

DOWNLOAD MIKE SIMONETTI + JOHNNY JEWEL (GLASS CANDY / DESIRE) ‘ALBUTEROL’ MIX

 

With disco now one of the blog world’s genres of choice, it was inevitable that it would translate to an underground party scene. As house, electro, techno, D&B and breaks were the staples of the clubs, this scene made its home in pub back rooms and restaurant basements: Horse Meat Disco’s monthly Soho Thursday night eventually became a weekly Sunday party in Vauxhall, while over in Dalston, Disco Bloodbath were slowly outgrowing their pink-walled surroundings of a Carribean restaurant basement to become stars in their own right, eventually making the move into production with remixes for Little Boots and Franz Ferdinand. Their monthly parties have become as much a part of London nightlife as the clubbing institutions they regularly guest at, and have welcomed the likes of Erol Alkan, Todd Terje and Serge Santiago.

 

Little Boots (Disco Bloodbath remix – dub) by matterlondon

 

DOWNLOAD DISCO BLOODBATH’S BEATS IN SPACE GUEST MIX

 

Fittingly, Disco Bloodbath’s guests in Room 2 on 30th January will be Glaswegian duo Optimo, who themselves had forged a formidable reputation off the back of their own subterranean clubnight north of the border, at Glasow’s underground venue Sub Club. Two vastly experienced DJs, Optimo were among the first DJs to illustrate the potential of Ableton as a DJing tool, as they took genre-hopping DJ sets to a new level with their legendary Sunday night parties, as well as creating one of the single most influential DJ mixes of the decade with their entry in Tigersushi’s How To Kill The DJ series.

 

DOWNLOAD THE OPTIMO ‘SYNTH SUMMER’ PODCAST

 

And so, with such a vast array of talent to be inspired by and to aspire to, yet further DJs and producers are breaking through, with the likes of The Cosmic Truth, ToTheBone, Minkioni, Electric Minds and Disco&Mercy among those putting on their own nights in the capital, always on the lookout for that perfect space to throw a party for like-minded friends to enjoy their own personal Paradise Garage.

 

January 2010 Promo Mix (Disco&Mercy) by Disco&Mercy

 

All of those mentioned above are forever in the debt of the originators of the disco sound – the artists, producers, engineers and DJs that cracked a formula for dance music that would endure for decades, and possibly forever. So many dancefloors fads have come and gone, but funk endures and disco lives on. DJs like Larry Levan, Greg Wilson, Frankie Knuckles and Francois Kervorkian were there in the beginning, with FK himself working in the studio on some of the greatest discofunk records ever made as engineer for Prelude Records in the late 70s/early 80s. Still going strong at 56 and possessing an insatiable appetite for new music that deserts many DJs as they reach a certain level of adulation, we couldn’t think of anyone better to help us celebrate the legacy of dance music’s DNA.

 

FRANCOIS K CLASSIC PRODUCTIONS ON YOUTUBE:

 

FWD>> + Rinse November 09 live sets to download!

January 14th, 2010 by driscollobos

FWD>> + Rinse return at the end of January with another ridiculously huge line-up showcasing the very best in dubstep, grime and UK funky. Special guests for the first throwdown of 2010 are Hyperdub chief Kode9, Apple Pips don Appleblim and 2-step hero EZ, who’ll be joining Rinse FM boss man Geeneus and regulars Boy Better Know, Yougsta and N-Type alongside further guests including Marcus Nasty, Cosmin TRG and Gemmy. If you’ve not got your ticket yet the clock’s ticking – both previous nights sold out well in advance, so best get yourself one now for £15 from HERE.

To get you hyped during the countdown to Friday 29th January, we’ve be put up exclusive sets recorded at the last massive sell-out night in November, on our Soundcloud page for stream or download: Skream vs Benga,Boy Better Know, Heartless Crew, Brockie, N-Type vs Youngsta and Spyro, Ghetto & Wiley are all available now.

(Please note these will only be up for a limited time, so be sure to download them if you’d like ‘em for keeps)

FWD>> + Rinse live sets by matterlondon

Interview: Danny Howells (Dig Deeper)

December 9th, 2009 by driscollobos

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Dig Deeper boss Danny Howells has acquired a hard-earned reputation as one of dance music’s most reliable DJs and producers. Whereas for many the word ‘reliable’ can often signifies a tendency to stick to one style and offer few surprises, Danny is different: he’s maintained a fanbase through his consistent willingness to experiment and a taste for musical genres far beyond house & techno – as fans of his legendary Radio 1 Essential Selection mixes and Resident Advisor podcast this time last year can attest.

Saturday 19th December sees Howells return to matter for his second appearance at the venue this year, after his debut on Bedrock’s 11th Birthday in October. We caught up with him to find out the secrets of being dance music’s premier pace-setter, his plans for next year and what he really wants for Christmas – plus we’ve got an gloriously deep hour’s extract of his October set for you to download…

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As is customary, everyone’s making their end of year lists – what’s stood out for you as your personal favourite moments of this year?

Off the top of my head I’ve got to say that a recent weekend I had in San Fran will go down in history for me – I did the LoveFest which was unreal, plus the craziest, most remote venue called The Compound, a daytime gig at the End Up with Lee Burridge, Craig Richards etc, as well as an afterparty at Vessel followed by another afterparty. That particular weekend is now known by all that were there as The Epic!
There was another incredible weekend in Japan which I loved, two amazing gigs at Panorama Bar in Berlin, a gig in Beirut which knocked my socks off, and most recently a party in Pristina which I won’t forget.
As far as home territory goes, Dig Deeper moved to the intimate Notting Hill Arts Club which is something I’m really looking forward to developing next year, and of course, the Bedrock night at matter was incredible!

What are your plans for next year, as a DJ and label boss?

As a DJ, I think I’ll carry on as I have been. I’ve slowed down on the relentless touring – I find I enjoy myself and play better and more confidently when I’m not wiping myself out for the sake of wiping myself out. I think I will be spending a bit more time in the States though, as it’s always been such an enjoyable experience for me, plus I always miss New York when I’m away from there for too long.
As a label boss? Well, part of the reason I was able to produce so much music this year was because I did make a real effort not to be away from home too much. I can occasionally get stuck in to making music when I’m away, but normally I’m much more inspired when I’m in my own comfort zone.
I have no grand scheme other than to try and improve my production, and to try my hand in areas I haven’t gone before. I’m frequently getting drum and bass mixes done because I love that style so much, maybe one day soon I’ll get do do my own drum and bass track. Whether or not anyone will get to hear it though … we’ll have to wait and see!

You’ve built yourself a rep for being one of the best warm-up DJs in the business – what would you consider the most important things to building an atmosphere in a club. How does warming up for Digweed at Bedrock at matter in October differ from a Dig Deeper all-night session?

I think the most important part of building an atmosphere is letting go of your ego. You have to accept the fact that you’re not the main reason why people are there, and accept your place in the night and realize that the warm-up slot is actually one of the most enjoyable, exciting and fulfilling jobs there is. it’s one area where you can really get creative, dig out all those amazing deep gems that won’t work at peak time and utilize them to very slowly suck people in. There’s always a point during the warm-up when suddenly you realize that it’s all starting to click beautifully – and that’s an amazing moment.
Warming up for Digweed will always be very important to me, because that’s how I learnt to do it. There were a few occasions back in 91/92 where maybe I did step into more peak-time territory, but I realized then that that was the case as the energy flow to the whole night would be disrupted as a result. That’s a very important thing – making sure the night flows from start to close, so that right through to the end, people are always going to be wondering what else is going to be coming. You can’t burn everybody out in the first few hours!
It’s hard to tell you the difference between warming up for someone like Digweed, or doing a Dig Deeper – I’ll apply the same principles to the opening set regardless of whether I’m warming up for myself or somebody else.

What artists have been exciting you the most recently? And how would you rate 2009 as a year in general, musically?

It’s been a return to the funk – artists like Okain, Yakine, Niggeman, Tanzmann, etc have filled my box this year. And the techy stuff, in my opinion, just got better and better. Not so much the stuff you see in top tens of download sites, but the trippier, quirkier stuff. Tempos came right down, giving the music some space to groove out. It’s so hard now to pin genres on DJs and producers, which is something I find very exciting.

And finally… What do you want for Xmas?

Fuck, I’ve been wanting to get myself a 1960s/70s jukebox for so many years now, but I always tell myself I shouldn’t. They’ve large so space would be an issue, plus I’d feel very guilty about splashing out that amount of money on a luxury item. But, if someone decided to surprise me with a beautifully restored Seeburg or Rock-Ola, then … bring it on!!

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Danny tops a line-up including Diynamic Record’s Hamburg star Stimming (live), Freerange Record’s deep house maestro Jimpster, matter resident Paul Woolford and 65daysofstatic (live) on Saturday 19th December. Tickets are £12 advance

Danny Howells live at matter, October 09 by matterlondon

Free Stanton Warriors & Stereo MCs mixes to download

December 3rd, 2009 by driscollobos

Stanton Warriors pic 1

The Stanton Sessions return to matter on Friday 18th December, when the Stanton Warriors are joined by cut-n-pasting DJ Yoda and hip hop L.E.G.E.N.D. Grandmaster Flash, who himself will be making his second appearance at our humble home.

To mark the occasion, we’ve also got hold of a couple of mini-mixes for your listening pleasure, with new 30min promos from the Stanton Warriors and Stereo MCs:

Free Mixmag Xmas Party downloads from Kissy Sell Out, Jack Beats & Nero

December 1st, 2009 by driscollobos

Jack Beats

With the festive season all set to kick off at matter this weekend with Fatboy Slim headlining the Mixmag Christmas Party, we’ve linked up with some of the young bucks also featuring on the bill for a taste of the good times to come.

First up, we’ve got THREE big remixes from dubsteppers Nero, with their reworkings of La Roux, Deadmau5 and The Streets.

In addition to all that, there’s also a VIP mix of Get Down by those electro scamps Jack Beats and a Doorly re-rub of Kissy Sell Out’s Garden Friends. Sink your teeth into that little lot while you count down the hours til school’s out this week.

Mixmag Xmas Party, Friday 4th December ‘09 by matterlondon

28.11.09: Vitalic presents Flashmob + Tim Sheridan, Guido Schneider & Morgan Geist

November 24th, 2009 by driscollobos

French maestro Vitalic comes to matter this weekend to present his new album Flashmob (check out a minimix album teaser here) and his only London live show of 2009 (check out the video to his ace new single Poison Lips at the top of this post).  The performance will act as fulcrum to a rich and varied night of electronic music, from the deep disco styles of Metro Area’s Morgan Geist and London duo Disco&Mercy, to the synapse-firing electro of Vitalic, Black Strobe and L’Amour La Morgue, and the groovy tech-house of Guido Schneider and Tim Sheridan – who returns to matter following his debut live performance with the VVWI Limited Love Orchestra at the start of the month – see below for footage of the band performing Tim’s latest single Bionic Language at matter on 7th November:

For further aural treats, head over to the blog of up-’n-coming London production duo  Allez Allez, where they’ve got a mix by Guido Schneider compiled especially for them last year available for free download.

Then, sample some disco & house magic courtesy of Disco&Mercy, who’ll be opening proceedings with the night’s opening set, with a bunch of their mixes available to download via Soundcloud.
Disco&Mercy mixes by Disco&Mercy